COMPLETE LISTS OF WINNERS FOR 35th MMFF

Here is the list of winners of the 35th Metro Manila Film Festival which was held at the SMX Convention Center. All of the production awards goes majority to I love you Goodbye while performances was shared by Mano Po and Ang Panday. I love you goodbye from Star Cinema has just started picking up to the box office as their target audience are now back in the city.

1st BEST PICTURE:
Ang Panday (Imus Productions/GMA Films)

2nd BEST PICTURE:
I Love You, Goodbye (Star Cinema)

3rd BEST PICTURE:
Ang Darling Kong Aswang (Octoarts/APT Entertainment)

ANTONIO VILLEGAS CULTURAL AWARD:
Mano Po 6: A Mother’s Love (Regal Films)

BEST ACTOR:
Bong Revilla (Ang Panday)

BEST ACTRESS:
Sharon Cuneta (Mano Po 6: A Mother’s Love)

BEST SUPPORTING ACTOR:
Phillip Salvador (Ang Panday)

BEST SUPPORTING ACTRESS:
Heart Evangelista (Mano Po 6: A Mother’s Love)

BEST DIRECTOR:
Joel Lamangan (Mano Po 6: A Mother’s Love)

BEST CINEMATOGRAPHY:
Lee Meily (I Love You, Goodbye)

BEST FILM EDITOR:
Manet Dayrit (I Love You, Goodbye)

BEST ORIGINAL STORY:
Vanessa Valdez, Kriz Gazmen & Karen Ramos (I Love You, Goodbye)

BEST SPECIAL EFFECTS:
Ang Panday

BEST SOUND RECORDING:
Ang Darling Kong Aswang

BEST PRODUCTION DESIGN:
Ang Panday

BEST MAKE-UP:
Shake, Rattle and Roll XI

BEST ORIGINAL THEMESONG:
“Ang Panday” (Ang Panday) by Ogie Alcasid

BEST MUSICAL SCORE:
Mano Po 6

BEST CHILD PERFORMER:
Robert “Buboy” Villar (Ang Panday)

LIFETIME ACHIEVEMENT AWARD:
Dolphy

CRITERIA FOR JUDGING:

For the Best Festival Picture, the criteria are: Artistry, creativity and technical excellence, innovativeness and global appeal (40%), Box-office performance based on the first three days, from Dec. 25-27 (50%), and Filipino, cultural and/or historical value (10%).

Criteria for Best Festival Performers: Naturalness and depth of acting (25%), proper timing and clear interaction with other performers (25%), consistency of characterization (25%), and logical and effective depiction/projection of the role being portrayed (25%).

Criteria for Best Festival Direction: Effective interpretation of screenplay into film (20%), appropriate pacing of the story and creative camera works (20%), proper motivation of performers (20%), continuity of overall production value (20%), and global competitiveness and entertainment value (20%).

Criteria for Best Festival Screenplay: Creative development of story concept (50%), global appeal and competitiveness (25%), and originality of style (25%).

Criteria for Best Festival Story: Originality of concept and development (20%), social, cultural and ethical values (20%), global acceptability/entertainment (20%), imaginative and credible characterization (20%), and extra-ordinary appeal (20%).

Criteria for Festival Visual Effect: Global competitiveness (25%), creative visual execution and original interpretation (25%), appropriateness and consistency (25%), and precision of timing of computer graphic projection (25%).

Criteria for Best Festival Editing: Logical, effective or smooth pacing of scenes (25%), consistency of flow of story (25%), creativity (25%), and global competitiveness (25%).

Criteria for Best Festival Cinematography: Creative camera movements and lighting (25%), global competitiveness (25%), effective visual impact (25%), and appropriateness and consistency of camera works (25%).

About rodmagaru

I am a writer, singer, debater, dancer, poet, declaimer, artist, narrator, and actor and recently I discover, I’m a jack-of-all-trades. I never say no when people experiment my capacity to do things that others can do. I give the superb congregation of expectation to people who doubted what I couldn’t do and I always win on convincing them I could.. follow me on twitter www.twitter.com/rodmagaru

Posted on December 29, 2009, in ANNOUNCEMENT, CINEMAS. Bookmark the permalink. Leave a comment.

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